Showing posts with label critique. Show all posts
Showing posts with label critique. Show all posts

Tuesday, August 25, 2015

Movie Review: Chappie, Jupiter Ascending, Dawn of the Apes, Divergent

What Does It Mean to Be Human?
Foreword

Each of these big blockbuster movies answers this question in different ways. Perhaps it's a byproduct of our postmodern culture's existentialist angst, but the big-screen movies these days seem to be doing a lot of the following: taking stock of fundamental questions of human nature, civilization, consciousness, matters of right and wrong, etc. If you're watching the action flicks for imagination fodder, you won't be disappointed, but you may miss the overarching plot.

Allow me to invent/define some terms for the sake of this review:

The "plot" is the obvious problem that is directly presented to the audience.
The "sub-plot" is any theme with importance but which may appear to be a distraction at first, since its connection to the plot isn't immediately clear (and if there is no connection, the flow of the movie suffers).
The "meta-plot" is the implicit, overarching theme that the movie makes reference to without ever explicitly addressing. Basically, if you pick out the theme, and ask "what would this cause the characters to be concerned about, or do?" then you have the meta-plot.

Example:
Plot: Simba grows up orphaned and has to somehow right the wrongs that his uncle Scar has perpetrated on the African Savannah.
Subplot: Simba's relationships with his father, Nala, Timon/Pumba and other characters.
Meta-plot: the quest to figure out what's important in life / growing up, becoming a man. Whereas the theme is "manhood," the meta-plot could be summed up as "Simba has to discover something in himself (a sense of duty/honor), and/or find his purpose in life, which will drive him to confront Scar, and help him win."

And the import of the meta-plot is communicated more through the subplot than the main plot. If all you're doing is following along CBS-tv-drama-style, you'll know why the characters are going from one place to the next and such, but you won't grasp the significance, and come away with the real message (intentional or unintentional from the director's/producer's standpoint) of the film.

Let's dive in.

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Introduction

The last 4 [not-yet-reviewed by yours truly] sci-fi movies I remember watching all had a common theme, explored in very different ways. Dawn of the Planet of the Apes answered the question, "what does it mean to be human?" through exploring the human-like qualities of the fictional ape characters. Chappie asks the question "what is consciousness?" by exploring the journey of learning of a robot, who rapidly traverses formative childhood and copes with the innate badness of human beings as he "grows up." Jupiter Ascending asks, "what is the worth of a society?" or "what makes life worth living?" and answers it through the parallelism of a jaded teenager who feels like she's wasting her life cleaning toilets, compared to jaded interstellar aristocrats who seem to live for nothing but to keep on living. Lastly, Divergent asks whether conformity is necessary for social stability, and asks if suppressing individuality through human government is a) possible or b) promotes peace, or tyranny.

Each film seems to invite the suggestion that how one responds to struggle is what reveals--or defines--one's humanity, and since without struggle, there is no plot, let's investigate the central struggles of these four films.

Last call for spoiler warnings

Tuesday, August 6, 2013

Time to Get Critical: Mandisa’s “Stronger” and “Overcomer”

Abstract

Mandisa is a popular CCM artist but her two most recent songs are poor influences. They encourage listeners to focus on their own abilities and to seek power to overcome difficulties inside themselves, rather than trusting in God for help. The songs make inappropriate guarantees of end to difficulty, and relegate God's role in our suffering to the sidelines, as someone cheering us on rather than leading us through it. For these reasons, I discourage everyone from listening to or promoting those two particular songs. Their melodies are no substitute for their lacking content.

Analysis

                I don’t know this particular artist, I can only judge the subject matter of the songs that are aired constantly on my local Christian radio stations. Their frequency implies that they are very popular, and so I think it’s important for there to be an analysis of them on the Internet somewhere. I’ll do my best to give them a fair treatment here.

                The songs are not blatantly anti-Christian, and in fact have a few references to Biblical doctrines (the latter more so than the former), but these would be easily missed by the Biblically illiterate main stream christian crowd, and especially any nonbelievers who might be listening in. The songs unfortunately fall into the category of CCM (Christian Contemporary Music) that can be summed up as “self-help encouragement.” The problem is not that it attempts to make people feel good, but that the emphasis is far too often on some alleged inherent capacity in the individual to “be great,” rather than on relying on God for blessings.

                Now I’ll look at a sampling of the lyrics. Here is the chorus from “Stronger”:

When the waves are taking you under
Hold on just a little bit longer
He knows that this is gonna make you stronger, stronger
The pain ain’t gonna last forever
In time, it (can/will) only get better
Believe me, this is gonna make you stronger, stronger

As is common when I write the longer blog posts, I’m not online as I write this, and so I can’t remember the entire song’s lyrics (repetitive as they are), but here is an excerpt from the second verse:

Try and do the best you can
Hold on (for as long as you can/and let Him hold your hand)
Go on, fall into the arms of Jesus [**the only reference to Him by name in the entire song]
whoa oh oh
****** (I can’t remember this line)
Even if you cannot feel Him
I promise you that He still cares
(chorus)

                All right. So what’s wrong with that? Let me count the ways: 1) emphasis on what you do, not what God has done for you or will do through you, 2) unBiblical promise that pain will go away (the song does not imply it will end in heaven), 3) unBiblical view of sanctification, 4) distant view of Christ as someone on the sidelines cheering you on.

                And the part that bothers me the most is the most subtle: “He knows that this is gonna make you stronger.” The He knows part galls me. Why? Because it says that whatever you’re going through is going to make you a better person somehow, and the only role Jesus has in the whole situation is to know that that’s the case. He apparently DOES nothing, just watches you suffer. At most, the song implies that Jesus tells you that it’s going to get better. But He doesn’t actually help you. The lyrics frame Christ as either unconcerned, sadistic, or impotent. Combine this with the end of the last line of the second verse: when I first heard the song, it sounded as if it would naturally end in, ‘Even if you cannot feel Him, I promise you that He’s still there.’ But according to this song, Jesus isn’t even present with you in your afflictions. He “cares,” but “Stronger’s” Jesus doesn’t ever show it. He’s like the estranged grandparent who lives in the next town over and sends $20 and a generic Hallmark card on birthdays but never visits or calls. I don’t want a God who “cares.” Personally, what has always made most sense to me is to have a God who “knows.” Because since He is omniscient, that means He knows all about my problems, and He knows the best way to answer my prayers. I can trust such a God. But a God whose main emphasis is on emotion divorced from rationality is a scary thought. What good does it do if God, or anyone, “cares” but doesn’t help you? The problem I have with this is that emotions, in the present culture, are viewed as chemical sensations and not as goal-motivators. When I say that God cares, it means that He’s actively being intimately involved in your personal struggles and is guiding you through them for His glory and your good, as the Bible says. When the Culture says “God (or anyone) cares,” it means that He feels bad for you – but that’s the extent of it. In the contemporary view of emotion, God caring about you doesn’t mean anything! It does nothing for you! So how, then, can this possibly be encouraging to someone? I affirm that it can’t. And so the song, though it seems aimed at being encouraging on its face, really plants seeds of discouragement in the listener. Because what happens after a person has been struggling for 30 years, wondering every day when their affliction will end, and all the time people are telling them “hey, God cares.” They’ll despise the gesture. It’s as meaningless as saying “Jesus loves you” because people don’t know what love IS. We need to explain these things, we can’t just throw them out. And sadly, the context of how the words show up in this song confirms that the “encouragement” is empty.

                Do I have a Bible verse to justify this with, so I’m not just throwing out my opinion? You bet. And this is what I challenge the people who say “God cares” frivolously with:

“Suppose a brother or a sister is without clothes and daily food. If one of you says to them, “Go in peace; keep warm and well fed,” but does nothing about their physical needs, what good is it?”
James 2:15-16