I grabbed the first Redbox movie in a long while and watched it earlier this week.
Interstellar is a film that thrives on making the special effects scientifically accurate -- there's no sound in space, waves are caused by the gravity of a nearby spacial body, mechanical equipment can tolerate lots of stress and collision damage but depressurization catastrophically tears it apart, the sensation of gravity in space must be generated by angular rotation, areas of high gravity play havoc with our straight-line perception of the surrounding space, bigger black holes are better black holes because they won't spaghettify you, the relativity of time is significant when spending time near high gravity ("every hour on the surface is 7 years back on earth" / "this little maneuver will cost us 51 years!"), etc.
The film also leans heavily on the human drama, with success. By that I mean that unlike many sci-fi epics, it doesn't feel forced, or added-on as an afterthought to please the crowd, but that it holds a central role without being uncomfortable or distracting from the plot. Indeed, the human drama is what drives the plot: resource scarcity on earth is what drives Matt McConaughey's father character to take a risk in order to make a better life for his children.
PROs:
Interstellar is a film that thrives on making the special effects scientifically accurate -- there's no sound in space, waves are caused by the gravity of a nearby spacial body, mechanical equipment can tolerate lots of stress and collision damage but depressurization catastrophically tears it apart, the sensation of gravity in space must be generated by angular rotation, areas of high gravity play havoc with our straight-line perception of the surrounding space, bigger black holes are better black holes because they won't spaghettify you, the relativity of time is significant when spending time near high gravity ("every hour on the surface is 7 years back on earth" / "this little maneuver will cost us 51 years!"), etc.
The film also leans heavily on the human drama, with success. By that I mean that unlike many sci-fi epics, it doesn't feel forced, or added-on as an afterthought to please the crowd, but that it holds a central role without being uncomfortable or distracting from the plot. Indeed, the human drama is what drives the plot: resource scarcity on earth is what drives Matt McConaughey's father character to take a risk in order to make a better life for his children.
PROs:
- no sexuality. Not even kissing between the main characters, except one shot in the end between Jessica Chastain and Topher Grace, intended as humor and not depicted sensually
- no grotesque violence. The violence in the film is realistic and restrained, hardly characterizing the film but punctuating it at key moments to emphasize the heightened tension, if you somehow missed Hans Zimmer's mood-setting organ music.
- very little hint of any political punditry underwriting the plot -- considering that the director is Christoper Nolan, whose Batman movies have had such great success, I suspect, because of their distinct tendency to avoid promoting Hollywood Liberalism, it makes sense; I think, whatever his personal views are, that he's got a keen sense for the sort of messages that turn off or turn on a broad American audience.
- the closest thing to it is a government-issued textbook a public school teacher describes to McConaughey's character, as being 'corrected,' to show that the moon-landing was faked in order to bankrupt the Russians by making them waste resources on an imaginary space race. This is a very limited dialogue, and it leaves no one a glaringly obvious hint as to whether the censorship is supposed to be more consistent with a Republican or Democrat ideology.
- As for the setting, there is a hint that there was a global conflict some years or decades earlier, and that as a side-effect, it damaged global crops to the point that society reverted to become primarily automated, mechanized subsistence farming-based. It's implied that it's several decades if not a century or two in the future, but not too far, because historical events like the Dust Bowl and moon landing are referenced. The film avoids making statements that could be interpreted as overtly 'peacenik' or environmentalist, and thus succeeds at being a cautionary tale that's vague enough for anyone to import their own ideas into, as to what could be done to stop it. However, the line about "repeating the excess/wastefulness of the 20th century" is something that viewers might variably agree with or find just cause to label the teacher character as representative of their political opponents.
- The science is accurate. Assumptions are made about things that we don't know enough about, such as the nature of wormholes and black holes, and a few other things (mentioned below), but nothing that we know from physics is controverted. This makes it a better film than most, for an authenticity-hound like myself.
- Robots work the way they're supposed to.
- It promotes selfless sacrifice of oneself for others, and condemns the premeditated dismissive 'sacrifice' of some others for the sake of other others.
- It highlights the bonds of family and by cutting and scoring, present loving relationships as being one of if not the strongest driver to persevere in the face of difficulty.
- True to its departure from other space movies, and in part because it's more like Apollo 13 than Aliens, it doesn't start with 20 cast members and slowly kill them off until there's two left. The deaths are fewer and therefore more significant in terms of moving the plot, or providing closure on a subplot.
CONs:
